Rebobinados

The living memory of music, decade by decade.

Chapter 03 — Rhythms

Disco & Dance

70s–80s

Disco wasn't just glitter and mirror balls: it was born in the Black, Latino and gay clubs of New York as a space of freedom when there were few. Donna Summer moaned over Giorgio Moroder's synths, Chic turned Bernard Edwards' bass into a language, and the Bee Gees defined an era with 'Saturday Night Fever'. When they burned records shouting 'disco sucks', disco won anyway — it became house, techno, and every dance floor since.

Key exponents

Donna Summer

1975–1979

The Queen of Disco: 'I Feel Love' with Moroder opened the door to all electronic dance music.

Chic

1977–1979

Nile Rodgers and Bernard Edwards: rhythmic elegance that half of hip-hop would later sample.

Bee Gees

1977–1979

With 'Saturday Night Fever' they made the whole planet dance in falsetto.

Keep rewinding

Era: The fake Latin was written by an expert witness

90s

disco dance

Era

The fake Latin was written by an expert witness

The pseudo-Latin lyric of "Ameno" is co-credited to Guy Protheroe, director of the English Chamber Choir, who also sings it and is a forensic musicologist: the expert witness The New York Times profiled on 11 October 2016 as the man they call when two tunes sound alike. And Era was not born in a studio: the choral piece from "Les Visiteurs" (27 January 1993) reappeared on the first album, recorded with what the film paid for.

Enigma: The same mistake twice

90s

disco dance

Enigma

The same mistake twice

The Munich choir's suit over the Gregorian chants on "Sadeness" was closed with a settlement in August 1991, a public apology from Virgin included. "Return to Innocence" came out in December 1993 with the chant of an Amis couple from Taitung recorded solely for cultural preservation: Difang and Igay Duana found out because some friends heard their voices on the radio, sued in California with the International Olympic Committee among the defendants and settled in July 1999.

Modern Talking: Half the duo went on at Viña del Mar

80s

disco dance

Modern Talking

Half the duo went on at Viña del Mar

In February 1988 the Quinta Vergara announced Modern Talking, but only Thomas Anders walked onto the stage: the contract predated the 1987 break-up. And the duo was never two. The falsetto of the chorus was sung by Rolf Köhler, Michael Scholz, Detlef Wiedeke and Birger Corleis, without appearing in any credits, while Dieter Bohlen mouthed along. They sued in Berlin and collected one hundred thousand marks in 2001, but the case was about samples: no court ever ruled on who sang what.

Kraftwerk: Twenty-seven years over two seconds

70s

disco dance

Kraftwerk

Twenty-seven years over two seconds

In 1997 Moses Pelham took two seconds of "Metall auf Metall" for a Sabrina Setlur song. Ralf Hütter and other members of Kraftwerk sued in 1999 in their personal capacity: 27 years, Germany's Bundesverfassungsgericht, two CJEU judgements and one repealed article later, the Bundesgerichtshof ruled against them on 3 September 2026. Florian Schneider died in 2020 while still a main plaintiff. For "Planet Rock", Tommy Boy had settled at a dollar a copy.

New Order: The four records inside "Blue Monday"

80s

disco dance

New Order

The four records inside "Blue Monday"

"Blue Monday" (7 March 1983) is assembled from pieces of four other people's records: Klein + M.B.O., Sylvester, Donna Summer and Kraftwerk. It is the best-selling twelve-inch in history in the United Kingdom only, it reached no. 9 and it never entered the Hot 100. In November 2026 they return to Chile at Primavera Sound Santiago, without Morris or Gilbert.

Moloko: The tight sweater was the title

90s

disco dance

Moloko

The tight sweater was the title

Moloko formed in Sheffield in 1994, when Róisín Murphy approached Mark Brydon at a party with a line about her tight sweater: that line gave its title to their first album. "Sing It Back" reached No. 45 as the original single in 1999 and No. 4 with Boris Dlugosch's remix; their biggest chart success is "The Time Is Now", No. 2 in the United Kingdom.

Boney M.: The voice was in another room

70s

disco dance

Boney M.

The voice was in another room

A hundred million records, and of the four people on stage, two never sang on the recordings. The deep voice belonged to the German producer.

Eruption: British, Caribbean, and German disco stars

70s

disco dance

Eruption

British, Caribbean, and German disco stars

"One Way Ticket" plays at every eighties party and almost nobody knows who sings it: a group of Britons of Caribbean descent who were not taking off at home and who triumphed in Germany, signed by Boney M's producer. Their singer ended up as the legal owner of the name.

KC and the Sunshine Band: Miami's joy machine

70s

disco dance

KC and the Sunshine Band

Miami's joy machine

Four bars of any of their songs and the dance floor fills up by itself, half a century later. Behind that mass-produced joy there was a Miami sound made of horns and funk, and a band of black and white musicians playing together in the South of the seventies.

The Prodigy: The dancer who took the mic

90s

disco dance

The Prodigy

The dancer who took the mic

The man who wrote everything stayed at the back, invisible. The ones people thought were the band had joined as dancers. And the ending is almost always told wrong.

Donna Summer: The queen of disco who invented the future

70s

disco dance

Donna Summer

The queen of disco who invented the future

In 1977, a synthesiser and a repetitive pulse were enough to push dance music half a century ahead: "I Feel Love", with Giorgio Moroder. They crowned her queen of a fashion many had given up for dead, and she had founded everything that would play in clubs afterwards.

Dua Lipa: She put out an album for dancing just as the whole world locked itself in

10s

disco dance

Dua Lipa

She put out an album for dancing just as the whole world locked itself in

It came out at the end of March 2020, when the clubs had just closed and parties were banned: a disco revival album meant for dance floors that no longer existed. It looked like a calendar mistake and ended up being the soundtrack of the lockdown.

Faithless: The dance floor as a church

90s

disco dance

Faithless

The dance floor as a church

In a decade of hedonistic dance music, a practising Buddhist stood before a crowd and spoke to it about healing and belonging. Maxi Jazz compared the club to a church and turned the night's escape into a rite: dancing together as a way of healing.

Daft Punk: Hiding so you'll be seen

00s

disco dance

Daft Punk

Hiding so you'll be seen

They became two of the most famous musicians on the planet without ever showing their faces, and could buy bread without anyone looking twice.

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