Rebobinados

The living memory of music, decade by decade.

Chapter 03 — Rhythms

Folk

60s–70s

Folk is the only genre where the author can be nobody: melodies passed mouth to mouth for centuries until someone recorded them. In the sixties that inheritance met politics and the coffee houses of Greenwich Village, and a single guitar was enough to talk about war, racism and coal mines. Later Fairport Convention plugged English ballads into amplifiers and the tradition kept walking. Our thesis: folk is not museum music. It is proof that a well-made song outlives its era, its author and the fashion that buried it. Everything else passes; this stays.

Key exponents

Bob Dylan

1962–1965

He borrowed the tradition, filled it with his own images and then plugged it in.

Joan Baez

1960–1968

A soprano voice and a protester's record: she sang at Selma and in Washington.

Fairport Convention

1969–1971

They electrified seventeenth-century English ballads and founded British folk rock.

Keep rewinding

Florcita Motuda: Forty-nine years without a reissue

70s

folk

Florcita Motuda

Forty-nine years without a reissue

With "Brevemente… geeente" he won the best Chilean performer prize at Viña 1977, and he won it in the international competition because the folk one was not held that year. The album that contains it, released in 1977 on APRI —Antonio Prieto's label—, spent 49 years without a reissue: never on CD or streaming until it came back on vinyl in April 2026 and on digital on 11 July, the day he returned to the stage. The record for the longest title at the OTI is his, but it is from 1978 and not 1998.

Natalia Lafourcade: Where it said pumpkin she put flowers

00s

folk

Natalia Lafourcade

Where it said pumpkin she put flowers

The story says she rescued the son jarocho with reverence on *Un Canto por México*, but "La Bruja" is not on that record: she recorded it on *Cancionera*, on 24 April 2025, and rewrote the lyric. Where the son turns the man into a pumpkin, she sings that she filled him with flowers: "a cancionera is a kind of sorceress". Twenty Latin Grammys, a house rebuilt in Jáltipan and a harpsichordist father who left Chile two days after the coup.

Piero: The old man wasn't his

70s

folk

Piero

The old man wasn't his

Piero sang "Mi viejo" in 1969, but the words are José Tcherkaski's and the father it portrays was his own: Mario Tcherkaski, a Russian street hawker who died at 52, eight years before the song. CBS released it with Father's Day in mind after several labels turned it down, and the first pressing passed 600,000 copies. Piero died on 7 October 2026, aged 81.

Willie Nelson: Fifty dollars and sixteen million

70s

folk

Willie Nelson

Fifty dollars and sixteen million

He sold "Family Bible" for fifty dollars and lost it; "Hello Walls", nine weeks at country no. 1 in 1961, was what turned him into a national songwriter. On 9 November 1990 the IRS seized assets in six states: it claimed 32 million, assessed 16.7 and closed a settlement for some 9 on 2 February 1993. He paid it with a double album sold on television at 19.95 dollars.

Gipsy Kings: The upside-down guitar

80s

folk

Gipsy Kings

The upside-down guitar

Romani families born in France who took flamenco rumba worldwide, singing in Spanish and Caló, and playing right-handed guitars turned upside down.

Cat Stevens: Letting it all go

70s

folk

Cat Stevens

Letting it all go

Twice he came close to dying, and twice he changed. At the height of his fame he auctioned his guitars and walked away, and came back to sing twenty-eight years later.

José Feliciano: The slow fire

60s

folk

José Feliciano

The slow fire

He turned a Doors song inside out until it was his, and paid dearly for singing the anthem his own way. Time proved him right on both counts.

Carole King: She wrote half a decade of other people's hits before singing her own

70s

folk

Carole King

She wrote half a decade of other people's hits before singing her own

She spent the sixties shut away in a Brill Building office writing hits for other people's mouths: the Shirelles, Little Eva, Aretha Franklin. In 1971 she sat down at the piano to sing them herself and made "Tapestry", one of the best-selling records in history.

Caetano Veloso: Devouring the world

60s

folk

Caetano Veloso

Devouring the world

Tropicália said something deeply subversive without shouting a single slogan: that Brazil could open itself to the whole world and still be Brazil. For that idea he was jailed and exiled.

Manu Chao: Belonging nowhere

90s

folk

Manu Chao

Belonging nowhere

He sells millions and records his albums alone, on a laptop, sleeping wherever he lands. The son of Spanish exile in Paris, he turned being from nowhere into being from everywhere.

La Cabra Mecánica: The shopping list

00s

folk

La Cabra Mecánica

The shopping list

Lichis wrote the tenderest love song of his generation from a poor man's kitchen, among the discount tuna and the grease stains. His gift was looking at the people nobody looks at and finding the poetry in them.

Suzanne Vega: The voice that tuned the MP3

80s

folk

Suzanne Vega

The voice that tuned the MP3

She put child abuse inside a pop hit and made it impossible to ignore. And she lent her voice, without knowing it, to the technology you listen to all your music on today.

The Mamas and the Papas: The lie in the obituary

60s

folk

The Mamas and the Papas

The lie in the obituary

The ham sandwich joke did not spread on its own: Cass Elliot's manager invented it and dictated it to a journalist. She admitted it in 2020, forty-six years later.

Simon & Garfunkel: The drums nobody asked for

60s

folk

Simon & Garfunkel

The drums nobody asked for

They had split in 1965, before they were anybody. A producer took the tape and overdubbed drums onto it without telling them, and that record went to number one. They had to get back together.

Gustavo Santaolalla: One single note

00s

folk

Gustavo Santaolalla

One single note

He won the Oscar two years running by putting in the bare minimum: a string, a long silence, another string. And he produced half of Spanish-language rock unseen.

Tracy Chapman: The second time out

80s

folk

Tracy Chapman

The second time out

At Wembley in 1988 she had a short afternoon set and her day was already over. Then Stevie Wonder had technical problems and they sent her back on stage, alone with a guitar, in front of the whole world. That unplanned second appearance changed her life.

Mauricio Redolés: Speaking Chilean

80s

folk

Mauricio Redolés

Speaking Chilean

His first stage was one of the dictatorship's prisons. Twenty-two months inside, ten years of exile in London and a return to the same house in the Yungay neighbourhood he had left. Out of that came the poet-rocker who taught Chilean rock to speak the way we speak.

Joaquín Sabina: He was born three times

90s

folk

Joaquín Sabina

He was born three times

The son of a police inspector, he threw a Molotov cocktail in Granada and left Spain on another man's borrowed passport. Ten years in London, a return, a stroke, and a body of work that gave millions the words for what they could not name.

León Gieco: The sheet that was saved

70s

folk

León Gieco

The sheet that was saved

The most sung song of his life had been cut and the album was finished. It was saved by a bandoneon player who walked into the wrong studio.

Mercedes Sosa: The poncho on the chair

70s

folk

Mercedes Sosa

The poncho on the chair

They arrested her mid-performance, in front of the audience, in a small hall in La Plata. They took away the three hundred people listening to her as well.

Don McLean: The paper boy

70s

folk

Don McLean

The paper boy

He was thirteen and delivering papers when he cut the bundle open and read on the front page that his idols were dead. Twelve years later he wrote «American Pie».

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