Rebobinados

The living memory of music, decade by decade.

Chapter 02 — Decades

90sThe rage

Articles from the 90s

Eddie Vedder: His dead father sings on his record

90s

grunge

Eddie Vedder

His dead father sings on his record

He grew up in San Diego called Edward Mueller and learned at 17 that his father was the lounge musician he had been introduced to as a friend of the family, dead of multiple sclerosis in January 1981. Out of that came "Alive", "Once" and "Footsteps", written in a single day on 13 September 1990. Thirty-one years later, the credits of *Earthling* include one line: "Edward Severson Jr. – vocals (13)".

Pearl Jam: They testified and they lost

90s

grunge

Pearl Jam

They testified and they lost

On 6 May 1994 Pearl Jam filed a memorandum with the Antitrust Division of the Department of Justice and on 30 June Stone Gossard and Jeff Ament testified in the House of Representatives. On 5 July 1995 the DOJ closed the investigation without acting: the boycott lasted until 1998, cost them some nine million dollars and three years almost without playing in their own country. And *Ten* never reached number one: Billy Ray Cyrus blocked it.

Daniela Mercury: She took the neighbourhood out of the song

90s

pop

Daniela Mercury

She took the neighbourhood out of the song

"O Canto da Cidade" was written by Tote Gira, a composer from Nordeste de Amaralina who recorded the demo on a borrowed cassette, marking the beat on the door of a refrigerator; Mercury's team almost threw the tape away. She shares the credit because she deleted the references to the Pelourinho so that the song would serve all of Brazil. The album, from 20 September 1992, sold more than 2 million copies and nationalised axé. But she did not invent it: the name was a journalist's insult in 1987.

Lenny Kravitz: He doesn't play that guitar

90s

hard rock

Lenny Kravitz

He doesn't play that guitar

The riff of "Are You Gonna Go My Way" (9 March 1993) is not played by him: the guitar is Craig Ross's, the song is co-written with him and the Academy nominated them both for Best Rock Song in 1994. "Always on the Run" was written by Slash for Guns N' Roses. And one of his four straight male rock Grammys, the one of 23 February 2000, he won with "American Woman", by The Guess Who, from which he removed the guitar solo.

Jamiroquai: The floor was not moving

90s

funk

Jamiroquai

The floor was not moving

In "Virtual Insanity" the floor never moved: it was grey and smooth, and what turned was the whole set on wheels, pushed by stagehands with the camera bolted to one wall. Jonathan Glazer directed it on 12 August 1996 in four takes, for half the 280,000 pounds that moving the floor for real would have cost. It won four VMAs out of ten nominations, including Video of the Year.

Portishead: A short film got them the record deal

90s

indie

Portishead

A short film got them the record deal

Before the record they shot *To Kill a Dead Man*, eleven minutes of film noir written by the three of them: Geoff Barrow plays a sniper and Beth Gibbons a widow. That soundtrack got them the record deal, and the cover of *Dummy* is a still from the short. The rest is told wrong too: *Dummy* sold 3,600,000 copies and won the 1995 Mercury ahead of Oasis, Tricky and PJ Harvey. Three records in fourteen years, and eighteen without a fourth.

Blind Melon: It was about not being able to get out of bed

90s

grunge

Blind Melon

It was about not being able to get out of bed

Everybody believes "No Rain" is about not fitting in. It was written by the bassist Brad Smith before the band existed, about a girlfriend with depression who slept through sunny days: it is about not being able to get out of bed. The belonging was invented by Samuel Bayer's video. And there are two bee girls: Heather DeLoach, 10, in the video, and Georgia Graham, the drummer's sister, on the cover. Real peak on the Hot 100: no. 20.

Enya: They told her she would be nobody

90s

pop

Enya

They told her she would be nobody

In 1982, on tour in Switzerland, Clannad voted to sack their manager Nicky Ryan and told Eithne Ní Bhraonáin, in front of him, that with the Ryans she would be nobody and with them she would be a star. She went with the Ryans: "Orinoco Flow" at no. 1 in Britain in 1988, 4 Grammys, more than 26 million albums certified by the RIAA and not a single tour. Nicky Ryan died on 10 September 2025; her sister Moya Brennan, on 13 April 2026.

Era: The fake Latin was written by an expert witness

90s

disco dance

Era

The fake Latin was written by an expert witness

The pseudo-Latin lyric of "Ameno" is co-credited to Guy Protheroe, director of the English Chamber Choir, who also sings it and is a forensic musicologist: the expert witness The New York Times profiled on 11 October 2016 as the man they call when two tunes sound alike. And Era was not born in a studio: the choral piece from "Les Visiteurs" (27 January 1993) reappeared on the first album, recorded with what the film paid for.

Enigma: The same mistake twice

90s

disco dance

Enigma

The same mistake twice

The Munich choir's suit over the Gregorian chants on "Sadeness" was closed with a settlement in August 1991, a public apology from Virgin included. "Return to Innocence" came out in December 1993 with the chant of an Amis couple from Taitung recorded solely for cultural preservation: Difang and Igay Duana found out because some friends heard their voices on the radio, sued in California with the International Olympic Committee among the defendants and settled in July 1999.

Fiskales Ad-Hok: The world tour started with them

90s

punk

Fiskales Ad-Hok

The world tour started with them

On 13 September 1992 the Ramones made their debut in Chile, at the Velódromo, the cycling arena inside the Estadio Nacional grounds, and that date was not just another stop: it was the first night of the Mondo Bizarro world tour. It was opened by Fiskales Ad-Hok, a band from the Santiago underground born in 1986 and still without a record. Then came their own label C.F.A. in 1997, "Fiesta" (November 1998) at number 42 in Rolling Stone Chile, and the indefinite hiatus of February 2025.

Bersuit Vergarabat: Two hundred thousand dollars to play it

90s

pop

Bersuit Vergarabat

Two hundred thousand dollars to play it

On 25 August 1998, the same day *Libertinaje* came out, the COMFER, Argentina's broadcasting regulator, threatened the country's radio stations with fines of around 200,000 dollars for playing "Sr. Cobranza", invoking law 22.285 from the dictatorship. Universal manufactured 20,000 copies it could not distribute. The song was not Bersuit's: Hernán "Cabra" de Vega wrote it in 1994 for the pedestrian mall, and he says that censorship was "more commercial than real".

Candlebox: The farewell that wasn't

90s

grunge

Candlebox

The farewell that wasn't

In 2023 they released a farewell record and a final tour that ended up fraying out at Club Chocolate in Santiago. As of October 2026 they are still on the road: 32 dates, 8 new songs and an album for 2027. Kevin Martin explains it without embarrassment: "I was done. And the minute you say that, your value goes up tenfold". Before that came a 4× platinum debut, no. 7 on the Billboard 200 and a "C" from Robert Christgau.

Gary Moore: A German court took his blues away

90s

blues rock

Gary Moore

A German court took his blues away

On 3 December 2008 a Munich court ruled that the solo in "Still Got the Blues" was too close to "Nordrach", a 1974 track by the German group Jud's Gallery. The 1990 album had been his rebirth: no. 13 in the United Kingdom, no. 83 on the Billboard 200 and the only single of his entire career on the Hot 100. Before that he had joined and left Thin Lizzy three times and walked off the tour in Oakland, on 4 July 1979.

Carlos Vives: The fifteen songs that were not his

90s

pop

Carlos Vives

The fifteen songs that were not his

The fifteen tracks of Clásicos de la Provincia (1993) are covers of Emiliano Zuleta, Rafael Escalona, Leandro Díaz, Alejandro Durán and Adolfo Pacheco: Vives signed none of them. "La Tierra del Olvido" is indeed his, with Iván Benavides. In 2018 he stopped singing "La Gota Fría" because of a rights dispute, and after Egidio Cuadrado died in October 2024 his band stopped being called La Provincia.

Moloko: The tight sweater was the title

90s

disco dance

Moloko

The tight sweater was the title

Moloko formed in Sheffield in 1994, when Róisín Murphy approached Mark Brydon at a party with a line about her tight sweater: that line gave its title to their first album. "Sing It Back" reached No. 45 as the original single in 1999 and No. 4 with Boris Dlugosch's remix; their biggest chart success is "The Time Is Now", No. 2 in the United Kingdom.

Björk: Debut was not her debut

90s

pop

Björk

Debut was not her debut

Debut (1993) is not her debut: Björk had already recorded an album at eleven, released in 1977 by the Icelandic label Fálkinn. Before London there was punk — Spit and Snot, Tappi Tíkarrass, KUKL — and Gling-Gló (1990), jazz standards that are still her best-selling record in Iceland. A single Oscar nomination and sixteen Grammy nominations without a win.

PJ Harvey: The only one to win it twice

90s

indie

PJ Harvey

The only one to win it twice

She won the Mercury Prize in 2001 for Stories from the City, Stories from the Sea and in 2011 for Let England Shake: nobody else has won it twice in more than three decades of the prize. With the first she was also the first woman to take it as a solo artist. She has four Mercury nominations, eight Grammy nominations without a single award and an MBE in 2013.

Silverchair: They never said they were splitting up

90s

grunge

Silverchair

They never said they were splitting up

Silverchair never split up: in May 2011 they announced an "indefinite hibernation" and that is still their last official statement. They won a radio contest at fourteen and fifteen, recorded Frogstomp in nine days and then went off towards the orchestra while Daniel Johns was going through two different illnesses three years apart.

Red Hot Chili Peppers: The four from Fairfax High

90s

funk

Red Hot Chili Peppers

The four from Fairfax High

Red Hot Chili Peppers formed in Los Angeles in 1982 with four classmates from Fairfax High: Kiedis, Flea, Hillel Slovak and Jack Irons. Slovak died of a heroin overdose on 25 June 1988, Irons left because of it and John Frusciante joined that same year, aged eighteen, to replace him. Then came his three spells, two departures and Josh Klinghoffer's ten years.

Foo Fighters: Five times Best Rock Album

90s

hard rock

Foo Fighters

Five times Best Rock Album

Foo Fighters' debut was recorded in six days, from 17 to 23 October 1994: Dave Grohl played everything except a guitar by Greg Dulli on "X-Static". The band has fifteen Grammys out of thirty-two nominations, five for Best Rock Album, a record in the category. And the drumming on "Everlong" is not Taylor Hawkins', who joined in March 1997 with the album already finished.

Dave Grohl: The drummer who turned out to be a songwriter

90s

grunge

Dave Grohl

The drummer who turned out to be a songwriter

Dave Grohl left school at seventeen to play in Scream, joined Nirvana in September 1990 and, after Kurt Cobain's death, recorded alone in six days the album that gave rise to Foo Fighters, handed out on a hundred cassettes under a false band name. The least told part is his sideman's record: Probot (2004) with Lemmy and King Diamond, two Queens of the Stone Age albums and a double induction into the Hall of Fame.

Goo Goo Dolls: Eighteen weeks and no number one

90s

pop

Goo Goo Dolls

Eighteen weeks and no number one

In 1998, "Iris" spent eighteen weeks at number one on Billboard's Hot 100 Airplay and was never number one on the Hot 100: with no physical single it was not eligible. Billboard changed the rule on 5 December 1998, in its eighteenth week at the head of the airplay chart, and the song debuted and stopped at number 9. The record held for almost twenty-two years, until "Blinding Lights".

Marilyn Manson: The lawsuit he withdrew while paying

90s

metal

Marilyn Manson

The lawsuit he withdrew while paying

The triad of Antichrist Superstar, Mechanical Animals and Holy Wood, and a file that is still open: two out-of-court settlements, one sworn retraction, the prosecutor's office that ruled out charges in January 2025 on statute-of-limitations grounds, the defamation suit he withdrew while paying 327,000 dollars and a jury trial set for November 2027.

Jane's Addiction: The punch in Boston

90s

hard rock

Jane's Addiction

The punch in Boston

Founded in Los Angeles in 1985 by Perry Farrell and Eric Avery, it left five records and the idea of Lollapalooza, which in 1991 was born as its farewell tour. It ended on 13 September 2024 in Boston, with a punch on stage, and broke up with a joint statement on 17 December 2025.

Alice in Chains: The last one to see him alive

90s

grunge

Alice in Chains

The last one to see him alive

The Seattle band buried two members for the same cause: Layne Staley, who died on 5 April 2002 of a mixture of heroin and cocaine, and Mike Starr, a founder and the last person to see him alive, who died in 2011. In between, Dirt at no. 6 on the Billboard 200 and Jar of Flies, the first EP in history to debut at no. 1.

Los Piojos: The rock of the barrio

90s

pop

Los Piojos

The rock of the barrio

They put murga, candombe and football-terrace fervour inside rock, and filled stadiums without ever ceasing to look like the kids from the corner. They came back fifteen years later, and came back incomplete: one founder was missing.

Los Peores de Chile: The old house on Avenida España

90s

punk

Los Peores de Chile

The old house on Avenida España

They incubated for more than a year and a half in an old house in Santiago, and everything came out of there: the humour, the cheek, and a mix of punk, pop, blues and rockabilly that sounded like nothing else. Out front was Pogo Carneyro.

Beto Cuevas: The one who grew up far away

90s

pop

Beto Cuevas

The one who grew up far away

It is often repeated that he is a child of political exile, and he has denied it himself: the family moved to Caracas in 1969 for his father's job, four years before the coup. The dictatorship is in his biography, but it came in through another door.

Saiko: The voice that came out of an audition

90s

pop

Saiko

The voice that came out of an audition

The band's most distinctive element did not come from the usual circle: it came out of an open audition that Denisse Malebrán attended, in her words, "out of sheer curiosity". She never imagined she would get the part.

La Ley: The song the dead man wrote

90s

pop

La Ley

The song the dead man wrote

When Andrés Bobe died in 1994, the band came close to ending. They carried on, and the song that opened the continent to them — "El Duelo" — had been written by him before he died. It is not a metaphor about mourning: it is literally that.

Mano Negra: The train where they broke apart

90s

punk

Mano Negra

The train where they broke apart

It is often said that the train tour through Colombia wore them down. It did not wear them down: it broke them, right there. On reaching Aracataca, almost the whole band quit and went back to France, and Manu Chao carried on to Bogotá with an incomplete line-up.

The La's: The record the band never accepted

90s

indie

The La's

The record the band never accepted

Go! Discs got tired of waiting and released, in 1990, tapes that The La's considered demos. It was not only Lee Mavers who disowned the record: the whole band did, and bassist John Power left on 13 December 1991. Inside it was "There She Goes", which has been playing on radio, in films and in adverts for more than thirty years.

Natalie Imbruglia: The fourth voice on the same song

90s

pop

Natalie Imbruglia

The fourth voice on the same song

When Natalie Imbruglia recorded "Torn" in 1997, the song was four years old and had already been released three times: Denmark's Lis Sørensen took it to radio in 1993 and Norway's Trine Rein into the Norwegian top ten in 1996. She rescued nothing from obscurity — she was the fourth to record it and the first to make it unforgettable outside Scandinavia.

EMF: The number one came out of the forest

90s

indie

EMF

The number one came out of the forest

EMF came out of Cinderford, a small town in the Forest of Dean, and reached number one in the United States with "Unbelievable" in July 1991. The Andrew Dice Clay sample that defines the song cost them nothing: Ian Dench ran into Rick Rubin in a Los Angeles bar, sent a fax the next morning and got the licence for free.

Eagle-Eye Cherry: The son's four chords

90s

pop

Eagle-Eye Cherry

The son's four chords

Eagle-Eye Cherry was working as an actor — "Born on the Fourth of July", the series "South Beach" — when his father, free jazz trumpeter Don Cherry, died in October 1995. He went back to Stockholm, gave up acting and recorded "Desireless" in a studio he set up in his bedroom. "Save Tonight" is not about grief: it is about a girlfriend leaving on a train.

Chumbawamba: The manifesto everyone sang without knowing it

90s

punk

Chumbawamba

The manifesto everyone sang without knowing it

Behind "Tubthumping" was an anarchist collective from Leeds with fifteen years of activism behind it, which had taken part in a 1989 compilation called "Fuck EMI" and then signed to EMI in 1997. It turned down Nike's 1.5 million dollars and, when it did take General Motors money, split it between two organisations that were investigating General Motors.

Kurt Cobain: He never wanted to be that

90s

grunge

Kurt Cobain

He never wanted to be that

He changed the course of rock almost without meaning to, and he hated where it took him. Few artists have been so unhappy while being so successful.

Stone Temple Pilots: The ones branded a copy who turned out to be chameleons

90s

grunge

Stone Temple Pilots

The ones branded a copy who turned out to be chameleons

They were received as a copy of Seattle grunge and an imitation of Eddie Vedder's voice. Two albums later the range was obvious: psychedelia, glam, twisted pop and a road song no Seattle band could have written.

Coolio: The number one that was really a lament

90s

hip hop

Coolio

The number one that was really a lament

The biggest rap hit of 1995 was, deep down, a funeral: over the funereal strings of Stevie Wonder's "Pastime Paradise", a young man looks at his short, dead-end life. It won the Grammy and half the world sang it without listening closely to the words.

Seal: The song that embarrassed him, and the scars he never hid

90s

soul

Seal

The song that embarrassed him, and the scars he never hid

The song that won the Grammy for record of the year sat in a drawer for years because its author thought it was bad and was embarrassed to show it: it took a producer who believed in it more than he did. With the scars on his face he did the opposite: he never covered them.

Sixpence None the Richer: The most secular song of the year was made by a Christian band, and the name explains it all

90s

indie

Sixpence None the Richer

The most secular song of the year was made by a Christian band, and the name explains it all

The pop kiss of an entire generation was recorded by a Christian band from a small Texas town, with a name taken from a C.S. Lewis parable about a present bought with someone else's money. While the song was playing all over the planet, their label fell apart on top of them and they spent years unable to release anything.

The Notorious B.I.G.: The greatest storyteller rap ever produced, silenced at 24

90s

hip hop

The Notorious B.I.G.

The greatest storyteller rap ever produced, silenced at 24

He could fit an entire life into a verse: rap lost its finest narrator at twenty-four, in a drive-by shooting nobody ever solved. He left two albums, and the second came out two weeks after the funeral with a title he had chosen beforehand.

Café Tacvba: Never the same record twice

90s

pop

Café Tacvba

Never the same record twice

They put all of Mexico in a blender with punk, ska and electronica, and have gone thirty-odd years without repeating themselves. Not even the singer's name stays still.

Aterciopelados: The flower and the punk

90s

pop

Aterciopelados

The flower and the punk

A ceramicist and a punk met in Bogotá, named themselves after something they read in Simone de Beauvoir, and ended up singing about peace to a country at war.

Los Tres: The cueca plugged in

90s

pop

Los Tres

The cueca plugged in

When sounding modern meant sounding American, they put the cueca inside rock and taught a generation to love its own roots. And the missing link has a name: Roberto Parra.

The Prodigy: The dancer who took the mic

90s

disco dance

The Prodigy

The dancer who took the mic

The man who wrote everything stayed at the back, invisible. The ones people thought were the band had joined as dancers. And the ending is almost always told wrong.

James: An anthem for sitting down

90s

indie

James

An anthem for sitting down

When every stadium anthem called for jumping, they wrote one that invites you to sit. And their singer joined the band as a dancer.

Pulp: Sixteen years of overnight success

90s

britpop

Pulp

Sixteen years of overnight success

It took them sixteen years to become an overnight success, and they wrote the sharpest anthem ever written about social class. When the spotlight found them, they had plenty to say.

Savage Garden: They made a generation's love song, and left at the top

90s

pop

Savage Garden

They made a generation's love song, and left at the top

Two Australians, two records and a handful of songs that played at thousands of first dances in the late nineties. In 2001, with no flop and no falling-out involved, they decided that was as far as it went and left while the world was still applauding.

Celine Dion: The most powerful voice in the world, and the courage to come back from the Eiffel Tower

90s

pop

Celine Dion

The most powerful voice in the world, and the courage to come back from the Eiffel Tower

The youngest of fourteen children of a humble Quebec household became one of the best-selling voices in history. In 2022 she revealed that she had stiff person syndrome; in July 2024 she sang Piaf from the Eiffel Tower, without being cured.

Cypress Hill: The Simpsons made a joke in 1996, and they delivered on it 28 years later

90s

hip hop

Cypress Hill

The Simpsons made a joke in 1996, and they delivered on it 28 years later

In 1996 The Simpsons joked that a stoned rap band had ordered the London Symphony Orchestra. In July 2024 the joke came true for real, at the Royal Albert Hall. By then they were already the first Latinos in rap to reach platinum.

Fugees: Three children of exile made one perfect album, and that was enough

90s

hip hop

Fugees

Three children of exile made one perfect album, and that was enough

The name came from "refugees", and it was no side note: two of the three were of Haitian origin. In 1996 they mixed reggae, soul and New Jersey hip hop, gave the world back "Killing Me Softly" and then scattered almost at once.

Tom Morello: Six strings and a cause

90s

metal

Tom Morello

Six strings and a cause

The son of a Kenyan insurgent and an American activist, a Harvard graduate, he chose the guitar over politics because it spoke to more people. And he carries Víctor Jara wherever he goes.

Rage Against the Machine: Intelligent rage

90s

metal

Rage Against the Machine

Intelligent rage

They turned political fury into a mass phenomenon without diluting a drop of it, and faced head-on the contradiction of shouting against the system from the system's biggest label.

Rammstein: The art of provocation

90s

metal

Rammstein

The art of provocation

Six East Germans fill stadiums across five continents singing in a language almost none of their fans understand. And they make an art of provoking while knowing almost nobody will understand them.

Skank: Joy, properly made

90s

reggae

Skank

Joy, properly made

There is a silly idea worth dismantling: that happy music is minor music. Four guys from Belo Horizonte scored the summers, the loves and the football of an entire generation.

Manu Chao: Belonging nowhere

90s

folk

Manu Chao

Belonging nowhere

He sells millions and records his albums alone, on a laptop, sleeping wherever he lands. The son of Spanish exile in Paris, he turned being from nowhere into being from everywhere.

Ska-P: Protest turned carnival

90s

punk

Ska-P

Protest turned carnival

They solved the old problem of the protest song: they wrapped the harshest criticism in the most joyful music. You leave one of their gigs hoarse, happy, and with questions rattling around.

Mägo de Oz: Tilting at windmills

90s

metal

Mägo de Oz

Tilting at windmills

They crossed heavy metal with the Celtic fiddle and put Don Quixote into a song that a whole stadium sings back. A mixture that on paper should not work, and that half of Latin America took as its own.

Tool: In praise of patience

90s

metal

Tool

In praise of patience

They make fifteen-minute labyrinths, give barely any interviews and take thirteen years between albums. And they still fill stadiums, because they decided the audience would come to them and not the other way round.

Tori Amos: The piano as a confessional

90s

indie

Tori Amos

The piano as a confessional

A child prodigy who lost her scholarship for refusing to repeat dead masters, and who years later sang a cappella, without a single metaphor to protect her, about what had happened to her. With that she gave thousands of people permission to name their own.

Counting Crows: Fame cured nothing

90s

indie

Counting Crows

Fame cured nothing

He wrote a cheerful song about dreaming of being famous and curing loneliness that way. He got exactly that, found out it was a lie, and had the courage to say so.

Damon Albarn: He never stood still

90s

britpop

Damon Albarn

He never stood still

He had one of Britain's biggest bands in his hands and, instead of milking it, he went off to invent a cartoon band, then an opera in Mandarin, then records made in the heart of Africa. He is not driven by a style: he is driven by curiosity.

Blur: The war that wasn't worth winning

90s

britpop

Blur

The war that wasn't worth winning

They went down as «the other band», the one that lost to Oasis. It is an injustice: of the two rivals, Blur was the restless one, the one that burned its own winning formula instead of clinging to it. And that is why their music aged better.

Alanis Morissette: The door kicked open

90s

indie

Alanis Morissette

The door kicked open

She had been the perfect teenage product, and she chose to destroy that image in order to sing her rage unfiltered. It was a rebellion against herself. And when the world expected her to repeat the trick forever, she went looking for something else.

Travis: The door under the rain

90s

indie

Travis

The door under the rain

Four Scots who were never the most famous, but drew the map that Coldplay and Keane would follow. And wrote the song that, legend says, made it rain at Glastonbury.

Weezer: The album that humiliated him

90s

indie

Weezer

The album that humiliated him

Rivers Cuomo laid himself completely bare on «Pinkerton», and the world punished him for it: it flopped, the critics tore it apart, he withdrew for years. Two decades later that same album was his most loved work and the blueprint of a whole generation's feelings.

The Smashing Pumpkins: Cathedrals made of sadness

90s

indie

The Smashing Pumpkins

Cathedrals made of sadness

While alternative rock was sneering at excess, Billy Corgan went the other way: layer upon layer of guitars, until he had built cathedrals of sound. The same obsessive control that drove away every one of his bandmates was what made that music take flight.

Delinquent Habits: The sound that went round three times

90s

hip hop

Delinquent Habits

The sound that went round three times

The trumpet in «Tres Delinquentes» is not Morricone's. It belongs to a Los Angeles trumpeter who recorded it alone in his garage imitating mariachis, and founded A&M Records with it.

The Verve: Twenty-two years unable to say it

90s

britpop

The Verve

Twenty-two years unable to say it

They wrote a song about how bittersweet life is, and that song became the most bittersweet story of their own lives. Richard Ashcroft wrote every word and every melody of «Bitter Sweet Symphony», and for twenty-two years the world believed someone else had.

Plastilina Mosh: One from the conservatory, one from noise

90s

indie

Plastilina Mosh

One from the conservatory, one from noise

«Aquamosh» was not produced by any Beastie Boy. The error comes from a surname in the credits: Marks, who was Grace Marks, from another band. Beck's producers recorded it.

Smash Mouth: The song that beat its own joke

90s

pop

Smash Mouth

The song that beat its own joke

It was not written for «Shrek», the singer did not write it and it was never number one. What «All Star» did do was survive fifteen years of parodies and come out more popular than ever.

Faithless: The dance floor as a church

90s

disco dance

Faithless

The dance floor as a church

In a decade of hedonistic dance music, a practising Buddhist stood before a crowd and spoke to it about healing and belonging. Maxi Jazz compared the club to a church and turned the night's escape into a rite: dancing together as a way of healing.

Dolores O'Riordan: The voice of a country

90s

indie

Dolores O'Riordan

The voice of a country

She did not hide her accent: she made it sound like an instrument. When a bombing killed two children in Warrington, the voice of The Cranberries went home and wrote «Zombie», still playing wherever someone is sick of war.

Oasis: The guns fell silent

90s

britpop

Oasis

The guns fell silent

Two brothers from a working-class Manchester suburb feuded for fifteen years and wrote some of the greatest anthems in rock. It is Cain and Abel in parkas, with one enormous difference: this time the story ended in reconciliation, not tragedy.

Chris Cornell: Grief turned into songs

90s

grunge

Chris Cornell

Grief turned into songs

When his friend Andrew Wood died, he put together a whole band to say goodbye. That was his way: when the world took someone from him, he answered with music. He had almost four octaves and an honesty that gave others permission to name their own darkness.

The Offspring: The punk who earned a doctorate

90s

punk

The Offspring

The punk who earned a doctorate

The singer of one of the best-selling punk bands in history defended a doctoral thesis on the HIV genome. He had abandoned the PhD in 1994 and came back twenty-three years later to finish it.

Blink-182: What aged badly was the mockery

90s

punk

Blink-182

What aged badly was the mockery

In 2015 the guitarist left the band to devote himself to UFOs and everyone laughed. Four years later, the Pentagon declassified the three videos his company had released.

Korn: A failed guitar and a brand-new genre

90s

metal

Korn

A failed guitar and a brand-new genre

The seven-string guitar was designed for playing higher and sold so badly they stopped making it. Korn tuned it down, stayed on the low string, and founded nu metal with it.

Slipknot: They erased their faces so you would look at the music

90s

metal

Slipknot

They erased their faces so you would look at the music

For twenty-five years people hunted for the secret system behind Slipknot's numbers. There is no system: they handed them out arguing, out of superstition, a joke about infinity and self-deprecation.

Brian Molko: The outsider

90s

indie

Brian Molko

The outsider

He grew up moving from country to country, always the new, odd kid at school. In the middle of beer-and-football Britpop, Brian Molko turned up with eyeliner, a high voice and an undramatic bisexuality, and with Placebo he built a loud home for everyone who did not fit in.

Green Day: Nobody reads the titles

90s

punk

Green Day

Nobody reads the titles

The song they play at graduations, weddings and funerals is called «Good Riddance». The friendly title everyone uses goes in brackets. It is the subtitle.

Aerosmith: The only thing they owed no one

90s

hard rock

Aerosmith

The only thing they owed no one

Fifty-five years of career and a single number one, with a ballad someone else wrote, meant for another singer and offered first to another band. What was theirs, and nobody gave them, was the sound.

Simply Red: A credit given away

90s

soul

Simply Red

A credit given away

"Holding Back the Years" is signed by two people. Hucknall has said the second did not co-write it: he gave him the credit to remember the good times. It has been paying out for forty years.

Scorpions: The whistle and the Kremlin

90s

hard rock

Scorpions

The whistle and the Kremlin

The whistle in "Wind of Change" was not played on any instrument: Klaus Meine did it with his mouth, because he does not play lead guitar. And the people who had to be convinced were the label.

Roxette: The record that crossed the Atlantic

90s

pop

Roxette

The record that crossed the Atlantic

They reached number one in the United States because an exchange student took the album home to Minneapolis and would not stop until a station played it. The label had no plans to release it.

Cher: Thirty-three years between two number ones

90s

pop

Cher

Thirty-three years between two number ones

In August 1965 she had a number one. The next came in March 1999. It is the longest gap in the history of the Hot 100, and it means she was written off more than once.

Los Pericos: Reggae was already there

90s

reggae

Los Pericos

Reggae was already there

It is often said they brought reggae to Argentina. It had been playing there six years earlier, and Luca Prodan was playing it. What they did was something else, with its own merit: they made it mainstream.

Thom Yorke: He heard this world coming

90s

indie

Thom Yorke

He heard this world coming

He was born with his left eye paralysed and at school he was the odd one. In the nineties, when the internet was barely starting, he was already singing the anxiety and connected loneliness that screens would make everybody's daily life twenty years later.

Sinéad O'Connor: She was right

90s

indie

Sinéad O'Connor

She was right

On 3 October 1992 she tore up a photograph of the Pope on television to denounce child abuse in the Church. The world tore her apart for saying it. Years later, country after country, it turned out she was right. They booed her in life; history proved her right.

Joe Vasconcellos: Footprints, and Alive

90s

funk

Joe Vasconcellos

Footprints, and Alive

Joe Vasconcellos, or how the most Chilean thing can come from someone made of the whole world. He grew up between Italy, Japan and Brazil, studied at a Genoa conservatoire, and of all the countries he could have chosen, he chose Chile. His two most famous words sum up his career.

Linda Perry: The signature in the credits

90s

pop

Linda Perry

The signature in the credits

She sang the nineties anthem of «hey-yeahs», and when the industry tried to turn her into a pop star she slammed the door. Then she wrote «Beautiful» and «Get the Party Started» for other women. Half the pop of twenty years carries her signature, hidden in the credits.

Joaquín Sabina: He was born three times

90s

folk

Joaquín Sabina

He was born three times

The son of a police inspector, he threw a Molotov cocktail in Granada and left Spain on another man's borrowed passport. Ten years in London, a return, a stroke, and a body of work that gave millions the words for what they could not name.

Andrés Calamaro: Writing the way you breathe

90s

pop

Andrés Calamaro

Writing the way you breathe

He released an album with a hundred and three songs. Not because he had something to say: because he never learned how to stop.

Maná: The chair at the end of the pier

90s

pop

Maná

The chair at the end of the pier

The woman in "En el muelle de San Blas" existed. Almost everything else is more complicated, and her daughter refutes it point by point.

R.E.M.: The graceful exit

90s

indie

R.E.M.

The graceful exit

Michael Stipe sent Kurt Cobain a plane ticket that was not about making a record: it was an excuse to get him out of his house. Cobain never used it. Seventeen years later R.E.M. did the opposite and left the party in time, with no fights and no lawsuits. Two friends, two opposite ways of finishing.

Marciano Cantero: The Voice of Everyone's Adolescence

90s

pop

Marciano Cantero

The Voice of Everyone's Adolescence

Marciano Cantero, or why the songs that reach you at fifteen never come loose. Enanitos Verdes were not the critics' band: they were the people's band, at every party and every school trip across a whole continent. Two of their biggest anthems were not even theirs.

Suede: The best before they played

90s

britpop

Suede

The best before they played

Melody Maker called them the best new band in Britain on its cover before they had released a single. And it turned out the hype was right.

Gustavo Cerati: Gracias Totales

90s

pop

Gustavo Cerati

Gracias Totales

Gustavo Cerati, or what to do once you have already been the singer of the continent's most beloved band. He was offered a tour replacing Sting and said no, because he was busy becoming himself. Out of that came «Bocanada», and a body of work that refused to repeat the formula.

A History of Chilean Rock · Chapter 15: The Golden Age and the End of the Millennium

Series

A History of Chilean Rock · Chapter 15: The Golden Age and the End of the Millennium

As the world crosses into the year 2000, Chilean rock reaches its peak and loses its last inhibition: it stops measuring itself against a distant "real thing". Los Tres say goodbye in Concepción just as the new century begins, and in that same city Los Bunkers had already existed for months.

A History of Chilean Rock · Chapter 14: Joy and Rage

Series

A History of Chilean Rock · Chapter 14: Joy and Rage

While the world surrenders to Britpop, the echo reverses: through MTV Latino, Chilean rock finally goes out to be heard. And Los Tres, from Concepción, conquer the screen not by copying the north but by taking Roberto Parra's cueca. Yet beneath the joy lay real losses and a rage that would not go away.

A History of Chilean Rock · Chapter 13: The Avalanche

Series

A History of Chilean Rock · Chapter 13: The Avalanche

While Seattle invents grunge, the whole world pours through the door Rod Stewart opened: Bowie, Clapton, Amnesty International, Guns N' Roses, Michael Jackson. Chile stops listening years late and starts watching live. But the party had a price, and one night in 1992 it was paid.

The Closest Queen Ever Came to Progressive Rock

90s

progresivo

The Closest Queen Ever Came to Progressive Rock

The story of "Innuendo", the most ambitious epilogue from a band that always flirted with grandeur. Six and a half minutes, metres in 3/4 and 5/4, and a guitarist from Yes reluctantly talked into improvising flamenco inside a Queen song.

Grunge: Seattle and the End of Innocence

90s

grunge

Grunge: Seattle and the End of Innocence

'Bleach' cost 606 dollars; two years later 'Nevermind' knocked Michael Jackson off number one. How Seattle went from basement to summit, why it won thanks to the artifice it claimed to fight, and why no scene ever grew in the dark again.

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